154 Endnotes Endnotes 1 Timothy Clifford, Italy & Dalmatia: Architecture, Sculpture, Painting & the decorative Arts, c. 1400-1800. In: Croatia – Aspects of Art, Architecture and Cultural Heritage. London 2009, p.120 2 This 1997–2001 project was supervised by Prof. Dr. Ingo Sandner, CICS Cologne and is addressed here only briefly, while the focus here will be on the retables examined and treated during the ICWL project. 3 Cologne Institute of Conservation Science/Technical University Cologne/CICS; University of Antwerp; Ecole Nationale Superieure des Arts Visuels – LaCambre, Brussels; Umjetnička Akademija Sveučilišta u Splitu (Arts Academy, University of Split); University of Dubrovnik, Department of Arts and Restoration 4 Jana Eich, Tüchleinmalereien (oslikana zidna platna) s otoka Lopuda. In: Dubrovnik 2/2012, p. 62 -71 and: Jana Eich, Die Tüchleinmalerei der Kirche Maria Sunj auf Lopud, Croatien. Möglichkeiten zur Erhaltung und erneuten Präsentation. Diploma Thesis TH Köln, 2010 5 Joško Bogdanović, Andreas Krupa, Lisa Burkart, Marianne Decroly, Charles Indekeu, The Choir Stalls of the Franciscan Monastery Church on Lopud. In: https://www.hrz.hr/en/ images/stories/novosti5/korske_klupe_2023_knjizica-06.pdf 6 Lisičar, V., Lopud - Eine historische und zeitgenössische Darstellung. Dubrovnik 1932, p. 53 7 Božena Popić – Kurtela, Drveni oltari od 15. do 18. Stolječa na dubrovačkom prostoru. Master Thesis, Zagreb, 2010. p. 160 8 https://www.h-r-z.hr/en/index.php/spotlight/european-year-of-cultural-heritage/2181sipan-church-of-st-mary-polyptych-of-the-assumption-of-the-virgin-mary (26.5.2024) 9 https://commons.wikimedia.org/wiki/Category:San_Vincenzo_Ferrer_polyptych_by_ Giovanni_Bellini?uselang=iti/Polittico_di_San_Vincenzo_Ferrer (21.05.2024) 10 Popić, p. 104 11 We will not go into further technical details at this point, as the focus of the treatment at the time was on the reconstruction of the retable and the authors were not yet involved in its realisation. 12 In addition to the high altar retable and the retables discussed here (Holy Cross and Annunciation), there are four other retables in the church. At the front of the nave are 19thcentury stone retables containing panels from the 15th and 16th century. The panels of the left-hand retable with the Madonna and accompanying saints can be attributed to the painter Matheus Junčić based on surviving sources. They come from a larger polyptych, other panels of which are preserved in the island’s museum. This polyptych might have been the original high altar retable. The right-hand retable shows an icon of the Madonna and Child. Two further altars on the walls of the nave are decorated with large-format
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