43 The Annunciation retable the blue-painted areas. The goal was achieved, but now some remaining non-retouched areas might result in a manneristic appearance. Integration of the painting Due to the invasive previous restoration, the painting required a different approach, including the removal of mismatching overpaint. This resulted in the reintegration and reconstruction of losses and abraded areas to restore the legibility of the painting. The reconstruction of bigger losses was done in rigatino manner to distinguish those areas from the original. However, they match when viewed from a distance and help to reproduce the spatial effect of the depicted scene. Compared to the retable, the amount and degree of retouching is higher, resulting in a more dense character.
RkJQdWJsaXNoZXIy MTI5NTQ=